AUCB Study Abroad

Narrative

Study Abroad Animation Production Course Modules

Credit Points: 15
Study Time: 150 Hours

The Narrative unit concentrates upon the fundamental principles of story-telling and narrative theory as applied to animation. Different approaches to communicative narrative are explored in detail, and specific attention is paid to the range of ways in which animation communicates its stories and meanings. 

Assignments will focus on the ability to explore theoretical narrative structures. 

For example:
You may write, then block out your script for cinematic storyboarding. This annotated short storyboard will demonstrate a combined theoretical and practical approach to storytelling.

Outline Syllabus
(An indicative guide to the content covered by this unit.)

  • Theories of narrative and story structure 
  • Cultural and ideological significance of narrative 
  • Non-verbal communication 
  • Narratives across different media forms 
  • Adaptation of short stories for animation 
  • Annotated short storyboards

Method of Delivery
Through lectures, screenings, seminars, research, independent learning and practical assignments.

Aims

A1 To explore ideas of story-telling and the contribution of cinematic language to the narrative process.
A2 To consolidate your understanding of narrative through practical workshops and written work.

Learning Outcomes
On completion of this unit you will be able to:

LO1 Demonstrate understanding of key theories of story-telling and the contribution of cinematic language to the narrative process.
LO2 Demonstrate your understanding of narrative through practical and written work.

Reference Material
The selection of books will vary according to your individual interests and chosen area of study. Unit tutors will provide you with guidance regarding key and recommended reference material.

Key
Bal, M. (1985) Narratology: introduction to the theory of narrative. Toronto: University of Toronto Press.
Berger, A. (1997) Narratives in popular culture, media, and everyday life. London: Sage.
Lacey, N. (2000) Narrative and genre: key concepts in media studies. Basingstoke: Palgrave.
Wells, P. (1998) Understanding animation. London: Routledge.

Recommended
Hooks, E. (2003) Acting for animators. Portsmouth: Heinemann.
Newlove, J. (2007) Laban for actors and dancers. London: Nick Hern Books