Credit Points: 15
Study Time: 150 Hours

Drawing, visualisation and design are integral to making an animated film; therefore it is imperative that you undertake research such as life and observational drawing that will directly and indirectly benefit your contribution to animation production.

Outline Syllabus
(An indicative guide to the content covered by this unit)

Research and development appropriate to your investigations will include:

• Research of Art and Artists 
• Solid drawing techniques 
• Human and animal studies 
• Painting techniques 
• Understanding and use of colour theory 
• Composition and storytelling 
• Visual clarity and economy of drawing 
• Development of ideas

Method of Delivery 
Through independent learning, demonstrations, practical workshops, screenings, seminars, research and tutorials.

Aims

A1 To develop specialist drawing and painting skills informed by appropriate research.
A2 To develop your understanding of a range of materials and techniques relevant to your study of animation.
A3 To provide opportunities for self evaluation and reflection.

Learning Outcomes
On completion of this unit you will be able to:

LO1 Demonstrate an advanced level of knowledge and creativity in drawing and design in the context of production work.
LO2 Demonstrate an advanced understanding of a range of materials and resources.
LO3 Demonstrate ability to be self critical.

Reference Material
The selection of books will vary according to your individual interests and chosen area of study. Unit tutors will provide you with guidance regarding key and recommended reference material.

Key
Hultgren, K. (1993). The art of animal drawing. London: Constable.
Pebello, S. (1996). The art of the hunchback of Notre Dame. New York: Hyperion.

Recommended
Gombrich, E H, (1960). Art and illusion. Oxford: Phaidon.
Hale, R. (1999). Drawing lessons from the great masters. New York: Watson–Guptill publications.
Richer, Dr P. (1986). Artistic anatomy. London: Pitman.