Credit Points: 15
Study Time: 150

This unit of practical study provides a more intensive and demanding experience of acting for the recorded media. You will study the language and theory of narrative film-making in greater depth and will critically engage with seminal British twentieth century film and screen performances.

Specialist seminars will increase your understanding of the production process and you will undertake practical on-camera exercises designed to extend the range and effect of their performance.

In small groups you will also have the opportunity to engage in radio and voice-over work.

During and at the conclusion of the exercise you will have the opportunity to view your work and, in your Log Book, to evaluate your performance.

Outline Syllabus
An indicative guide to the content covered by this unit:

• Critical evaluation of film performance and techniques 
• Research and exploration of key practitioners 
• On-camera exercises focusing on reaction and characterisation 
• Seminars in production process and its relationship to the actor 
• Radio and voice over
• Development of voice and movement skills for recorded media 
• Production of scenes of dialogue / small group scenes

Method of Delivery
Studio practice, seminars, group and individual tutorials, work related practice, screenings and group critique.

Aims

A1 To develop sophisticated critical faculties in the analysis and delivery of performance for the screen
A2 To extend the essential physical and psychological tools necessary for acting for recorded media

Learning Outcomes
On completion of this unit you will be able to:

LO1 Demonstrate increased understanding of screen acting skills through practical application and evaluation.
LO2 Demonstrate in practice and evaluation an increased understanding of the processes and theories behind the production of recorded media
LO3 Demonstrate the skills and techniques that camera and radio acting require whilst maintaining strong psychological and emotionally truthful characterisation.

Reference Material

Key
Barr, T. (1997). Acting for the camera. New York: Harper Perennial.
Churcher, M. (2003). Acting for film: truth 24 times a second. London: Virgin.

Recommended
Adler, S. (2001). The art of acting. New York: Applause Theatre Book Publishers.
Bernard, I. (1998). Film and television acting: from stage to screen. Oxford: Focal Press.
Caine, M. (1993). Acting in film. New York: Applause Theatre Book Publishers.
Carlson, S. (2006). Hitting your mark: making a life and a living as a film actor. Studio City, CA.: Michael Wiese.
Goldman, W. (1996). Adventures in the screen trade. London: Abacus.
Meisner, S. (1987). Sanford Meisner on acting. New York: Vintage.
Strasberg, L. (1988). A dream of passion, the development of the method. New York: New American Library.
Thompson, K. and Bordwell, D. (1994). Film history: an introduction. London: McGraw Hill.